The union would like performers “to share in the rewards of a successful show, without bearing any of the risk,” the group that lobbies for studios says.
The union would like performers “to share in the rewards of a successful show, without bearing any of the risk,” the group that lobbies for studios says.
It’s a slippery slope. What about consultant developers that worked on the codebase of photoshop 10 years ago, whose code is still used in the current version? Do they deserve a percentage of the subscription? And architect who designed it?
This is the reason studios can do this, because the contract was very exceptional, and they want to make it similar to any other industry, where freelances and employees do not share any long term revenue